Scotland launches El Sistema

November 24, 2007

Venezuela in Scotland launches today
17/08/2007
Young people from the Raploch area of Stirling will be the first beneficiaries of an
innovative programme developed in Venezuela.
The project was unveiled in Edinburgh today, with special guest Maestro Jose Antonio
Abreu, founder of the Fundación del Estado para el Sistema de Orquesta Juvenil e Infantil
de Venezuela (FESNOJIV).
The ‘El Sistema’ programme which was founded by Maestro Abreu in Caracas, Venezuela
30 years ago, works with children and young people using orchestral music tuition. The
children learn discipline, respect and co-operation alongside learning the classical
repertoire.
Although the programme focuses on instrumental tuition, its aim is not solely on
developing musical excellence, but on building the confidence and achievements of the
young people. However, El Sistema’s musicians are renowned for their skills, with 26-
year old conductor Gustavo Dudamel, a graduate of El Sistema, recently being appointed
to the Los Angeles Philharmonic.
In Scotland, the first pilot will begin in the Raploch area of Stirling early next year, with
the first group of children aged between five and eight years of age. Over the coming 10
years, the Scottish programme will work with young people of a range of ages and in
different areas of Scotland.
Richard Holloway, Chairman of the new Project Board said: ‘I’m delighted that we are
able to welcome such a distinguished guest to our launch today. Maestro Abreu is the
inspiration for our work in Scotland, he has created a magnificent system there which we
aim to emulate here. Those of you lucky enough to have one of the hottest tickets in
town will see for yourselves the astonishing ability of these young people.
‘I look forward to one day welcoming Maestro Abreu to a performance of a Scottish
orchestra!’
Notes to editors
Richard Holloway will welcome Maestro Abreu and Jonathan Mills, Director of the
Edinburgh International Festival at the Sheraton Hotel, Melville Suite at 3.30pm
today. Speakers will be Richard Holloway, Jonathan Mills, Director of the Edinburgh
International Festival and Maestro Abreu.
Contact email(s)
media.office@scottisharts.org.uk
Issued by: Scottish Arts Council

http://www.scottisharts.org.uk/1/latestnews/1004716.aspx


Scottish Arts Council Chairman Richard Holloway explains how

November 24, 2007

For as long as I can remember, about twice a year reports and surveys come out informing us yet again
how divided a society Scotland is. They remind us that most of the population is wealthier, healthier and living longer than ever before; and that our principal cities are bustling with life and creativity; but then they zoom in on the stubborn persistence of poverty and deprivation among a significant minority of the population. The surveys vary in focus. Quite often they concentrate on the criminality that flows
consequentially from these communities ofdeprivation, and we’ll be told that this or that Scottish postcode is the murder capital of Europe or has the highest incidence of heroin dependence and
drug-related violence.

Recently, the focus has been mainly on health and life expectancy. These are the surveys I find the most depressing. They remind us that Scotland is the sick man of Europe, and ‘man’s’ the right word here,
because if you are a male living in certain Scottish postcodes you are unlikely to live past 63. We know
that in these neighbourhoods more than half the population smokes – compared with 25% of Scotland’s
average population – that alcohol abuse admissions to hospital are far above the national average.
We know that cancer, heart attacks, diabetes, drug overdose and suicide eat away at life, because
multiple deprivation is the universal experience. In one postcode little more than a mile away from
Glasgow’s vibrant city centre, 44% of the population are on incapacity benefit; 37% live in workless
households; and 30% of homes are occupied by a lone parent.

To be fair to them, no recent British government has been complacent about the problem, not excluding
the administrations in Scotland since we got our own parliament back. You might even say they’ve been obsessed with the problem of this persistent underworld of misery that disfigures our nation.
In trying to cure it they have spent a lot of money. They have tried to transform the physical environment in which the deprived live. They have improved their schools. They have worked hard to find them jobs. But the problem persists. It is true that individuals of talent and energy are sometimes lucky enough to find teachers or social workers who help them escape the cycle of deprivation. Sadly, for most people locked into these communities of mutually reinforcing deprivations their only prospect is an unhealthy life and an early death. We need new ideas if we are going to break into this cycle of despair. We need to experiment with different approaches. And we need to look at what other countries do and learn from them.

That’s why I am going to visit Venezuela for a week in February. Thirty years ago, Venezuela – in which 3 out of 4 children were living in terrible poverty – decided that they would use music as an instrument of social transformation. They would go into barrios and townships and form children’s and juveniles’ orchestras, starting them off at the age of three. They weren’t particularly interested in creating musicians, but they did want to change lives. In fact, they have done both. Simon Rattle says that what is happening in Venezuela is the most important thing in classical music in the world. Not only has it changed lives and transformed communities, it has made classical musicians out of half-a-million young Venezuelans, many of whom were heading for a violent life and an early death.

Can we learn something from them and bring it back to Scotland? That is what I am hoping. I know there are no quick fixes in this business, but might it not be that through the transformational power of music, and the skill needed to create it, we might just discover a way of transforming those
communities of despair into communities of joy and hope? I think it’s worth a visit to Venezuela to find out.
Source:

http://www.scottisharts.org.uk/resources/publications/IB/pdf/NE1%20ib%20Feb-March%2006.pdf